Ordinary people find themselves in extraordinarily astounding situations, which they each try to solve in a remarkable manner.
Legend
excellent | 9.0 - 10.0 |
good | 8.0 - 9.0 |
average | 7.0 - 8.0 |
bad | 6.0 - 7.0 |
awful | 5.0 - 6.0 |
garbage | 0.0 - 5.0 |
Pulse
Matrix
episode number |
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season number |
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1 | 2 | 3 | 4 | 5 | ||
1 | 7.9 | 6.6 | 7.5 | 7.4 | 7.5 | |
2 | 7.6 | 7.4 | 7.2 | 7.2 | 7.0 | |
3 | 7.1 | 6.6 | 8.6 | 7.8 | 9.1 | |
4 | 6.8 | 6.4 | 7.4 | 7.5 | 7.5 | |
5 | 8.2 | 8.2 | 7.8 | 6.5 | 6.4 | |
6 | 7.3 | 9.1 | 6.5 | 7.6 | 8.7 | |
7 | 8.1 | 8.3 | 7.4 | 6.9 | 7.6 | |
8 | 8.9 | 7.1 | 8.6 | 7.6 | 6.9 | |
9 | 7.5 | 7.1 | 8.1 | 8.0 | 7.3 | |
10 | 7.3 | 7.5 | 8.4 | 7.3 | 7.0 | |
11 | 8.4 | 7.9 | 6.5 | 7.6 | 7.0 | |
12 | 8.0 | 6.9 | 6.8 | 6.2 | 6.9 | |
13 | 7.1 | 7.5 | 7.2 | 7.9 | 7.8 | |
14 | 8.1 | 6.4 | 8.5 | 7.2 | 7.5 | |
15 | 7.6 | 8.1 | 7.2 | 6.1 | 7.5 | |
16 | 8.2 | 8.0 | 8.3 | 8.1 | 7.5 | |
17 | 6.6 | 7.8 | 7.3 | 7.3 | 8.1 | |
18 | 8.0 | 7.8 | 7.4 | 5.6 | 6.4 | |
19 | 7.3 | 6.6 | 7.9 | 8.1 | ||
20 | 7.5 | 6.7 | 6.3 | 6.3 | ||
21 | 7.9 | 7.0 | 7.5 | 6.9 | ||
22 | 8.9 | 7.5 | 7.5 | 8.3 | ||
23 | 7.6 | 8.1 | 7.1 | 7.5 | ||
24 | 8.0 | 7.6 | 9.0 | 7.0 | ||
25 | 8.1 | 8.4 | 7.5 | 8.6 | ||
26 | 7.2 | 8.1 | 8.0 | 7.4 | ||
27 | 6.6 | 6.4 | 7.8 | 5.7 | ||
28 | 7.8 | 8.7 | 7.9 | 6.5 | ||
29 | 7.3 | 8.6 | 6.4 | 7.5 | ||
30 | 8.5 | 7.3 | 8.1 | |||
31 | 6.9 | 7.6 | 7.1 | |||
32 | 7.2 | 6.7 | 7.5 | |||
33 | 6.6 | 7.7 | 6.6 | |||
34 | 8.4 | 6.5 | 6.3 | |||
35 | 6.1 | 7.1 | 7.1 | |||
36 | 8.1 | 5.9 | 6.5 | |||
37 | 8.2 | |||||
season average | ||||||
7.6 | 7.5 | 7.4 | 7.2 | 7.2 |
Best episode [9.1] S 5 E 3: Nightmare at 20,000 Feet
A man, newly recovered from a nervous breakdown, becomes convinced that a monster only he sees is damaging the plane he's flying in.
Worst episode [5.6] S 4 E 18: The Bard
Julius Moomer, a talentless, but relentless, self-promoting hack who dreams of becoming a successful television writer, uses a book of magic to summon William Shakespeare to write dramatic teleplays that Moomer will pass off as his own. Shakespeare becomes irritated by Moomer's lack of appreciation and is even more appalled when he discovers the changes wrought on his plays by cynical television executives.